Shakespeare's Greatest Hits
Shakespeare's Greatest Hits | As You Like It
Special | 2m 58sVideo has Closed Captions
Norman Sham as Jacques from “As You Like it” in Delaware Park, Buffalo, NY.
In this episode of “Shakespeare’s Greatest Hits,” Norman Sham delivers a thoughtful and entertaining performance as Jacques from Shakespeare’s “As You Like It.” The monologue, titled “All the World’s a Stage” was filmed at the Rose Garden in Frederick Law Olmsted designed Delaware Park in Buffalo, New York. This is one of nine episodes WNED PBS is presenting with Shakespeare in Delaware Park.
Shakespeare's Greatest Hits
Shakespeare's Greatest Hits | As You Like It
Special | 2m 58sVideo has Closed Captions
In this episode of “Shakespeare’s Greatest Hits,” Norman Sham delivers a thoughtful and entertaining performance as Jacques from Shakespeare’s “As You Like It.” The monologue, titled “All the World’s a Stage” was filmed at the Rose Garden in Frederick Law Olmsted designed Delaware Park in Buffalo, New York. This is one of nine episodes WNED PBS is presenting with Shakespeare in Delaware Park.
How to Watch Shakespeare's Greatest Hits
Shakespeare's Greatest Hits is available to stream on pbs.org and the free PBS App, available on iPhone, Apple TV, Android TV, Android smartphones, Amazon Fire TV, Amazon Fire Tablet, Roku, Samsung Smart TV, and Vizio.
(upbeat music) - All the world's a stage, and all the men and women merely players.
They have their exits and their entrances, and one man in his time plays many parts, his act being seven ages.
At first the infant, mewling and puking in the nurse's arms, and the whining school-boy with his satchel shining morning face, creeping like snail unwillingly to school.
And then the lover, sighing like furnace, with a woeful ballad made to his mistress' eyebrow.
And then a soldier, full of strange oaths and bearded like the pard, jealous in honour, sudden and quick in quarrel, seeking the bubble reputation even in the cannon's mouth.
And then the justice, in fair round belly with good capon lined, with eyes severe and beard of formal cut, full of wise saws and modern instances, and so he plays his part.
The sixth age shifts into the lean and slippered pantaloon, with spectacles on nose and pouch on side, his youthful hose well saved, a world too wide for his shrunk shank, and his big manly voice, turning again toward childish treble, pipes, whistles in his sound.
Last scene of all that ends this strange eventful history, is second childishness and mere oblivion, sans teeth, sans eyes, sans taste, sans everything.
(instrumental music)
